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FREQUENTLY GIVEN ANSWERS
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My studio is located in Concord, CA. It is in the extension of my house where cars are usually parked. Some might call that a garage, but I call it my studio.
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Wikipedia says, screen printing is a stencil method of print making in which a design is imposed on a screen of polyester or other fine mesh. Blank areas of the design are coated with an impermeable substance, and ink is forced into the mesh openings by a fill blade (or squeegee) onto the printing surface. It is also known as silkscreen, serigraphy, and serigraph printing. I decided to go with silkscreen.
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So far I have chosen places that have some sort of meaning to me. But the world is a big place and I'm happy to say that every map will have meaning for someone.
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Posters are carefully rolled along the grain of the paper and placed in poly tubing to protect them from the elements. They are shipped in sturdy snap-seal mailing tubes which are uncoated, reusable and curiously, don’t need plastic end caps.
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I use a variety of resources to research my maps, the internet being my primary tool. I take pains to fact-check and cross reference every aspect of the map; including its shape, divisions and borders, and names of places. Since all maps are in their native languages, I always try to have my maps double checked by native speakers, often by people who live there. I won't start designing a map until I'm sure of all my facts.
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Simple answer: it's better for the environment. The screens used to print the maps are reusable and employing a water-based ink means the screens can be cleaned with water instead of a solvent.
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Posters are printed using matt ink. Shiny ink has its places, and it's not here.
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The short answer is no, but the longer answer might be of interest. I certainly try to print the maps as large as possible on the sheets of paper that I use, usually 19"x25". More importantly though, I strive for spatial harmony between the map and the open space around it, and sometimes this means trimming away a bit of paper. You'll find that none of the maps are centered on the paper, yet they are all balanced.
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Four factors determine what makes my posters limited edition: size of paper, color of paper, color(s) of ink, and finally the content of the poster itself. For example, I printed 10 California posters using black ink on Gumdrop Green paper trimmed to 15x25". I'll never print an 11th California using those same specifications. But as soon as I change paper color, choose a different paper size, select a different ink color, or revise the map due to name change or a mistake (ouch), the result will be a new edition. Each poster is numbered (and signed) on the back in pencil.
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Yes it is. Currently all my map posters have my signature screen printed on the front, beneath the map title.
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Please ensure that you fully uncrimp the end to avoid damaging the poster as you pull it out of the tube.
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International orders are shipped with the contents and value of the package indicated on the required customs declaration form. Shipments may be subject to customs tariffs.
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Prints will certainly fade when exposed to ultraviolet light, especially those printed on vibrant paper. Keep all your maps away from direct sunlight.
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All research, cartography and typographic maps by me. ©2012–2023 Ozan Berke
designerDad exclusively uses paper from the French Paper Co. and the screenprinting services of Monolith Press. I am not affiliated with Ork Posters. As a rule, I do not design maps of locations that Ork has created. designerDad was first to publish typographic maps for USA, Berlin and Oakland.